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“I see it as a messing around on an upper level with things that I wanted to make sense of at a deeper level. I do think I have an ability to record sensual and emotional facts—to construct a convincing surface of what life feels like, both physical life and emotional life. But when I wrote “The Glass Essay,” I also wanted to do something that I would call understanding what life feels like, and I don’t believe I did.
I also don’t know what it would be to do that, but if you read Virginia Woolf or George Eliot, there’s a fragrance of understanding you come away with—this smell in your head of having gone through something that you understood with the people in the story. When I think about my writing, I don’t feel that.”
-Anne Carson, The Paris Review

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